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Bookish gems from the inaugural Seattle Art Fair August 3, 2015 – Posted in: Art, Books and Art, Conceptual Art, Exhibits, Painting, sculpture

The first ever Seattle Art Fair is in the books and by most accounts it’s another feather in the cap for the Emerald City. The tech boom with its inherent money showers combined with our proximity to Asia make for an enticing mix and when Paul Allen throws his hat in the ring usually something good happens. I have been saying this for a while now; there are few cities in America as well positioned as Seattle to become…

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The Public Collection: A new public art and literacy project July 24, 2015 – Posted in: Books and Art, Content, Library Architecture, product design, Reading / Literacy, sculpture

This August eight unique artist created libraries will grace the streets of Indianapolis. Under the moniker of The Public Collection these amazing micro libraries will be spread over the city and offer free books courtesy of the Indianapolis Public Library. The Public Collection is a blend of art and literacy.  The goal is to “increase access to books through the use of functional pieces of art in familiar settings. The initiatives are to improve literacy, foster a deeper…

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Susanna Hesselberg’s Underground Library July 8, 2015 – Posted in: Art, Books and Art, Conceptual Art, Libraries, sculpture

Every two years on the coast of Denmark the Sculpture by the Sea exhibition takes place. It is the nations largest outdoor exhibition and for this years incarnation 56 site-specific sculptures graced the Danish coast. Among them was Susanna Hesselberg’s homage to her father and books:  “When My Father Died It Was Like a Whole Library Had Burned Down” (a reference to Laurie Anderson’s song World Without End). Reminiscent of the rabbit hole in Alice in Wonderland the…

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Still Harmony: The Work of Jacqueline Rush Lee April 23, 2015 – Posted in: book arts, Books and Art, Content, sculpture

Jacqeuline Rush Lee has been creating bookworks for over 15 years. Her work has been and remains a staple in most anthologies that deal with contemporary bookworks.  In 1998 Rush devised an experimental process where books and periodicals were fired in controlled kiln environments and transformed into what Rush calls “fossilized” books where “the books were no longer recognizable in their usual context, but transformed into poetic remnants of their former selves–ephemeral and ghost-like forms suggesting internal landscapes…

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