Easter with Yeats

Easter, 1916. by W.B. Yeats. 4to, original bright green printed wrappers. 

Easter, 1916, the first publication of one of Yeats’ greatest poems, and the rarest of all of the poet’s publications.

The Easter Rising and the Proclamation of the Irish Republic began on Monday, April 24, and lasted until April 30, 1916.

Of the uprising Yeats wrote: 

The Dublin tragedy has been a great sorrow and anxiety. . . . I have little doubt there have been many miscarriages of justice. . .  I had no idea that any public event could so deeply move me – and I am very despondent about the future. At the moment I feel that all the work of years has been overturned, all the bringing together of classes, all the freeing of Irish literature and criticism from politics.

The poem was born from this strife and in 1917 he sent it to Clement Shorter to have it privately printed for distribution among friends. Shorter printed up 25 copies!

The poem finally reached a wider audience when the New Statesman printed a revised version in 1920. It was included that year in the book Michael Robartes and the Dancer  which was published by the Cuala Press.

Here, in its entirety, the poem:


EASTER, 1916


I have met them at close of day   
Coming with vivid faces
From counter or desk among grey   
Eighteenth-century houses.
I have passed with a nod of the head   
Or polite meaningless words,   
Or have lingered awhile and said   
Polite meaningless words,
And thought before I had done   
Of a mocking tale or a gibe   
To please a companion
Around the fire at the club,   
Being certain that they and I   
But lived where motley is worn:   
All changed, changed utterly:   
A terrible beauty is born.


That woman’s days were spent   
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers   
When, young and beautiful,   
She rode to harriers?
This man had kept a school   
And rode our wingèd horse;   
This other his helper and friend   
Was coming into his force;
He might have won fame in the end,   
So sensitive his nature seemed,   
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,   
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,   
Transformed utterly:
A terrible beauty is born.


Hearts with one purpose alone   
Through summer and winter seem   
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road,   
The rider, the birds that range   
From cloud to tumbling cloud,   
Minute by minute they change;   
A shadow of cloud on the stream   
Changes minute by minute;   
A horse-hoof slides on the brim,   
And a horse plashes within it;   
The long-legged moor-hens dive,   
And hens to moor-cocks call;   
Minute by minute they live:   
The stone’s in the midst of all.


Too long a sacrifice
Can make a stone of the heart.   
O when may it suffice?
That is Heaven’s part, our part   
To murmur name upon name,   
As a mother names her child   
When sleep at last has come   
On limbs that had run wild.   
What is it but nightfall?
No, no, not night but death;   
Was it needless death after all?
For England may keep faith   
For all that is done and said.   
We know their dream; enough
To know they dreamed and are dead;   
And what if excess of love   
Bewildered them till they died?   
I write it out in a verse—
MacDonagh and MacBride   
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:   
A terrible beauty is born.

The copy of Easter, 1916 pictured above is currently available. Feel free to contact James Jaffe Rare Books

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